Wintersummer in Australia


Been doing a ton of this-and-that since the beginning of the year; gigs with friends, demoing songs with Greg, playing with my trio some in the French Quarter and working on the Daveaux album joint… but mainly been enjoying New Orleans and the anti-winter we generally have here.

Lanegan_AB

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I’m going to be playing with Mark Lanegan (as a duo) again, this time we’re going to Australia for a couple of weeks with Nick Cave & The Bad Seeds. Probably a lot like opening for Elvis in Graceland.  That two-man dynamic is fun as hell and so satisfying in a way that’s completely different from melting faces off in a band situation. The quieter you play, the harder people listen, and the message seems more deeply transmitted.

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moreton_bay_bugs

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Hopefully Moreton Bay bugs are in season, I’ve yet to get a proper education on that stuff but DAMN they are one of my favorite seafoods. And as far as i know there’s only ONE place to get ‘em, and it’s a 19-hour flight from here.

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Oh hell yes.  Then, home to finish assembling tracks for my thing & hopefully some work with Terry.

You can get his new track here:



Mark Lanegan “Blues Funeral” preview


Mark Lanegan’s next album Blues Funeral is to be released this coming February. I am fortunate to play guitar on a couple of tracks – I met Mark through Greg Dulli in 2006, when he toured with the Twilight Singers, and since then I’ve recorded and/or toured with him (solo & with The Gutter Twins). Always an intense experience – musically and otherwise.  He is without a doubt on of the Great American Voices.  And a special guy.



fin.



A fitting end to the Blackberry Belle set at Great American Music Hall in San Francisco. Petra Haden slays here.



the jazz acoustic?


A lot of people (ok, guitar nerds) ask me what I use for the acoustic shows I’ve been doing lately (The Gutter Twins ‘09, Mark Lanegan May-Aug ‘10, Greg Dulli Oct-Nov ‘10) – it looks reminiscent of a couple of more popular old guitars (like a cross between a Django-style, a straight acoustic & a cheap f-hole archtop) but you might be surpised at the make -

Alv

It’s an Alvarez AD65CE, made for only a coupla years in the early 2000’s. I never see them for sale but I don’t know what one would go for if you found it. Spruce top, laminated maple back/sides, maple neck, rosewood fingerboard.

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I think it was intended for jazz players who use a thick plain or wound G string.  The P90-style magnetic pickup in the neck actually sounds pretty good with steel electric strings, but with the bronze acoustic strings I use,  it mainly adds some thick low-mid, a little bump around 200-300 Hz (i use a Radial 2-channel instrument preamp where I can blend the stereo output of the pickups, rather than use the volume pots on the guitar), without much detail – the bronze strings don’t have enough magnetic response to excite the pickup.  It does help on certain songs where I’m doing walking bass lines or with gain effects, it sounds nice & thick.

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The cool thing is the split output – I used to do instrumental loop-based ambient gigs at art galleries but only had a rudimentary looping setup, so I’d send the piezo pickup to the looper, since you can beat on a piezo & get reasonable drumlike sounds, then run the mag p/u through a bunch of other pedals.  Again, probably not what Alvarez had in mind.  On a jazz gig it would do alright i think, although it’s too much of an ugly duckling to be confused with a D’Angelico or Benedetto… Still, the neck is nice – not too thin but not too chunky.

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At some point I really need to spend the damn time trying out a lot of different acoustics & find the “right one” for my hands, but this thing does a good job in the meantime – I like to take tools on the road & leave instruments at home, y’knowwhatimean?  I’d hate to have this thing stolen but I’d rather see it destroyed than a $12,000 1964 Whatchamacallit.



New Ends


keith

This was a quick 2-week run, but for some reason – not tedium, mind you – it seemed like six weeks. Perception of time is apparently elastic (or is time itself elastic?). Einstein thought so, anyway.  Ireland and Scotland are always a hoot, and Belgium showed a lot of love to be sure. Our London show was surreal and ethereal, with a heaviness that only comes when you play in an old-ass stone cavernous sacred space like the one we did.

UC6

porkbelly_confit

ALSO, regarding Galway, Ireland  - if you are there go to Cava, a Spanish tapas restaurant (yeah, right? Ireland?) and order the confit of pork belly.  Three words, people: last meal menu.  Mark & I like it so much we went back the next day & ordered it again.

HASSELT

karl2

This is Karl, from Hasselt, Belgium.

My TM Keith (left) and I were walking around Hasselt after the Pukkelpop show (same night as those two tragic deaths, btw) looking for a pint, and I noticed all the St. Mary-themed iconography all over. I stopped to snap a shrine and this guy comes rolling up on us asking in Flemish what we’re doing – when he discovered we were foreign & spoke English he got excited, & promptly clued us in on the city’s Festival of the Virgin that was happening (once every seven years), and demanded that we come see his home around the corner where he had a nice shrine in the courtyard. Then he invited us to have some beer at a temporary family “cafe” that had been set up in a former art-supply store, full of his family and family friends.

haselt2

Our intent was to grab a quick beer and return to the hotel but it turned into a great time, full of laughter and storytelling, and we accidentally got kind of hammered on Leffe. Totally unexpected. This is why I travel.  Perusing architecture is fine, but hanging out with your friends for a living and making new relations is a gift.

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I’m looking forward now to some American football and some food experimentation back in the NOLA, and to start paying back the generosity and warmth shown me by my friends in early August.  Boarding the plane in 9 hours, with anticipation in my heart.

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some gigs are surreal


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Soundcheck at Union Chapel, London 8/10

I played here a while back with Greg & Mark as Gutter Twins but neglected to take any damn photos. Those who know me are not surprised at this, I am absent-minded frequently.



the life i love is makin’ music with my friends


August shows


I’ll be out once more this year with Mark Lanegan in August:
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18 August, 2010 London Union Chapel
19 August, 2010 Belguim Pukkelpop
20 August, 2010 Holland Lowlands Festival
21 August, 2010 Chelmsford V Festival
22 August, 2010 Stafford V Festival
24 August, 2010 Galway Roisin Dubh
25 August, 2010 Dublin Academy
26 August, 2010 Edinburgh T on the Fringe (Liquid Room)

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A bit later this year there may be some more interesting tour action, stay tuned…



the perfect storm


Last night in Brisbane was a perfect combination – of shitty circumstances.

We both got sick in New Zealand (hey, it’s SUMMER where we live!) and Mark was fighting to not lose his voice, my guitar broke a tuner set-screw so the hi “E” string was detuning by a flat third (!!!) and then my backup guitar was having bridge issues, so wouldn’t stay in tune… argh. I’m hacking up enough oysters to repopulate what BP murdered.

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Tonite is Melbourne, and though I’m feeling confident, we’re both on tons of herbs & sudafed.  Fingers crossed.

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¡Update!

i believe we’ve redeemed ourselves, my gtr sitch is back on course & ML sounded great tonite. Onward & outward (my gut, that is).



Cockland


OK, I wrote this rant, then took it down, then thought “What the hell – people need to educate themselves how to act in public if their parents didn’t” , and edited it until it is a bit clearer .   I’m going to try to make a point here, in a way that doesn’t make me seem unduly spoiled or angry, because I’m not spoiled or really angry. Also, I’m grateful to be able to perform music and get paid, and play for people that actually give a shit and listen.  I just happen to have a website, so I can rant once or twice a year between posting fotos of weird old men on the street or stupid misspelled signs on restaurants, etc.
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An intimate performance is a two-way interaction between the performer and the audience. If either party breaks the implied social contract, it all falls apart. Also, I say this not because I’m hurt  (there will be other shows for me at least), but because I know as an audience member I’d have been sorely pissed-off at the situation the other night.  This is what leads me to say the following, after experiencing this situation more than a few times in the last year…

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Our Auckland, NZ gig had all the makings of a great show – a sold out venue, empathetic and talented sound engineer (seriously, best sound of this leg of the tour so far as far as I’m concerned), comfortable stage (a hot room, but that’s because it was SOLD OUT), and an awesome, loving crowd – but there had to be ONE GUY right up front yelling the whole time, ruining any chance of setting an atmosphere.
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Like Michael Jackson in “This Is Is”, i say this ‘with love’ (L.O.V.E.), what is your fucking problem? You vociferously claimed to be some kind of “biggest fan”, you even got there early so you could get a spot right in front of the stage, then proceeded to yell (YELL!) off-key through every quiet song like you were in your bedroom with headphones on, especially between phrases or in silent spots – oblivious to the hundreds of other people in the room trying to hear, THEN had the gall to yakety-yak with your buddy and girlfriend the rest of the time - loudly. It was quieter at the damned World Cup.
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Everyone in the room hated you. The only reason nobody booted you or called you out as a goon was that they had too much class to ruin the vibe, the way you ruined it for me… singing along out of key at the top of your lungs so everyone within 30 feet who paid good money to see (and hear) a show heard your shitty caterwauling instead of the singer on the stage (at the QUIET ACOUSTIC MUSIC SHOW, hello?). That made it really difficult to concentrate, or sing in time & on key. Thusly fucking up my/our vibe and preventing the performers from giving other people what they paid for.
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Again (with L.O.V.E.), I know you love Mark (we heard you yell it, 30 times), but sometimes you gotta shut the fuck up – it ain’t a pub show with your buddy on a stool playing Margaritaville.  And being lit ain’t an excuse, that was just you being more you.  Now get in your Camaro and go home and learn how to be a professional public citizen. What you did was the equivalent of farting in someone’s face who booked a fancy dinner reservation weeks in advance and sat down to an expensive meal.
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OK, I’m done – I don’t expect (rock) shows to be like going to see Picasso at the Met or being in a library, all hush-hush, but respect the other people who also dig the music.  I don’t come jump in front of your TV & block the view when you’re trying to watch Jersey Shore.

With love

Dave
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PS

Other than that, I really enjoyed the show.

PPS

Nothing against people that own Camaros, or New Zealanders. There are plenty of louts all over the globe who should also read this. Agreed?

PPPS

I found out today that the guy was causing some row with our tour manager after the show, so much that security threw him out literally on his ass (he fell and landed on his ass). So justice was served, with a side order of charity (in the form of our TM not bashing his skull in).

…thkr