DOINGS


It’s been a busy Spring ‘13 – I’m re-assembling Chateau Daveaux, getting her ready for mixing and a certain amount of tracking. The place has 13-foot ceilings like most of the grand old Louisiana colonial-style homes, and with enough knickknacks on shelves & oriental rugs I should get a decent amount of sound diffusion & reflection control & still take advantage of a good-sized space.  I’m still on the fence about ProTools I/O options – since I’m not trying to track more than four people at a time here or get into big drum situations it doesn’t make sense to drop thousands on an HD rig but it would be nice to have a good neutral-sounding “8 in/8 out” box with a/d-d/a conversion. Call it option anxiety, there’s just too much shit from which to choose.
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I finally had my old ’60’s Gretsch (Maxine) re-wired and given a little TLC from Jerome Garbutt here in NOLA. I forgot how much I loved that sound, there’s no guitar that sounds like her. Not a versatile instrument but when you need THAT SOUND, there it is. Here’s the test track:

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Been doing some shows with my friend and fellow Algerian Terry McDermott, which are fun & totally rock, although I suspect some of his core audence was expecting more balladry (he’s a rock artist in sheep’s clothing). This weekend we’ll do an opener for the mighty Terry Reid here in New Orleans, and I believe I’ll be sitting in with Mr. Reid’s band on guitar. A bit intimidating, that man is the master.

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(’To Be Treated Right’, from Terry Reid’s masterpiece Seed Of Memory)



It’s Happening


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This week I begin the arduous process of sifting through 10+ years of sketches, themes and sound recordings to culminate in an album (name? open to suggestions). I had NO IDEA I had generated so much stuff, it’s quite a pile.
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Wednesday Rick G. Nelson and I will start the actual recording process. I plan on having some friends help out along the way – anything you’ve heard me do on my own has generally been all me, which can get boring (face it, Todd Rundgren is a genius but you can’t replace the energy of real people reacting to one another).

Into the breach!



Show Saturday 9/3 at Les Bon Temps


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NorthSouth playing at Les Bon Temps Roulez (4801 Magazine Street, corner Magazine & Bordeaux uptown) this Saturday – featuring Dave Rosser (Twilight Singers/Greg Dulli/Gutter Twins/Mark Lanegan), Terry McDermott (DriveBlind/Lotus Crush), Eric Bolivar (Anders Osborne, Bonerama, Pimps of Joytime) & Jimmy Messa (SubDudes).



Love and Theft


After a gig in 1994, I stopped to drop off another friend at his apartment, and while inside for a few minutes, someone broke into my truck and cleaned me out – I had just returned from a move from Alabama with all of my gear in the truck.

I lost EVERYTHING – five guitars (two of which weren’t mine which I was to sell for a friend PLUS the first guitar my father bought for me when i was 15), a ‘64 blackface Bassman head, a 2×12 cabinet with new MojoTone speakers, my pedalboard, and an expensive pinstripe suit & wingtip shoes.

Ten years later TO THE DAY my friend Marc calls me and asks “Did you ever own a blue Strat?” and proceeded to describe the guitar that was stolen – I freaked out and started thanking him for finding it. Turns out that he didn’t know it was stolen from me, he thought maybe I had sold it years before & had just bought it but (reluctantly) sold it back to me for what he paid for it (which was like $25, to which I added a nice bottle of scotch whiskey).  A miracle!

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stolen May 1994, recovered May 2004

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Lightning apparently strikes twice

This past December 22, 2010, I lost my two favorite guitars, a blue ‘89 Fender Strat and a late-model Gibson Les Paul Special,  in the French Quarter. I was literally sick; my stomach hurt to think of it.  I made an agreement with myself to just let them go – to amortize and depreciate them in my mind as “business expenses” that had paid for themselves – to keep from letting the anger eat me alive.

Well,  two weeks later my friend Jack Pearse emailed me a link to a craigslist ad for a blue 1989 Strat – sure enough, it was mine!  I called the guy up and told him about losing it AND the Les Paul… He said, “Well, I have them both here – if they were taken from you then I can’t rightfully sell them. Come over and get them.”

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Apparently some shady guy he knew owed him money and gave him my guitars as collateral, then disappeared, welching on the deal, so he decided to sell them.  He wouldn’t take any offer of reward or anything, saying that he believed in karma and that he wouldn’t want the sale of stolen goods on the balance of his soul.

En route to his house I stopped at a store & bought him a cream cheese-filled kingcake (Google it if you’re from outside Louisiana) and hid a hundred dollar bill inside. When he opened the door I was taken aback – he was all tatted out from neck to knuckles, in sort of a thug/skater style – not the image in one’s mind of a Good Samaritan.   When I offered the kingcake he at first refused, but I handed it to his friend standing next to him, who was also simlarly tough-looking and tattooed (teardrop by the right eye) and  made him agree to take it.  I wish I could’ve afforded to give him more. The world needs people like that.

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I think I never realized how living in downtown New Orleans had jaded me. There are so many street kids and beggars and junkies and hobos and drunk people and crazy schizoid people what-have-you walking around at all hours (everytime someone calls me “sir” I automatically bristle,  expecting them to hand me a bullshit story and ask for money) -I’d let my prejudicial survival instincts destroy my bigger-view perspective.  I’m going to carry this lesson with me, and try to remember it everytime I’m tempted to think “people are shit”, or judge someone by their appearance.   Looks just ain’t always a plain indicator of character.



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Happy New Year, y’all



Chateau… La Pointe?


Finally moving all the recording gear to Chateau Daveaux Mk II. Doing the inevitable re-evaluation of wiring, signal routing, etc., along with gaining an appreciation of the new place – the owner completely rewired the place was consciencious enough to put a shitload of  breaker-protected outlets in the studio space, yeah!!

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I believe my late residence/space had maybe 2 usable outlets on ONE 20-amp breaker, and no 3-prong grounding modernization had ever been made to that old building.  I’m gonna miss the Olde Red Room, but I can’t wait to hear the difference in signal-to-noise ratio (not to mention the lack of background ambient noise in the form of screaming, sirens and bad blues).



The Frugal Guitarist (or, how to use cheap shit)


This holiday season I’m leaving all my nice gear at home & doing a buncha parties & gigs where there could be potential drunks staggering into me – big fun, except for a 15% chance of vomit.  Here’s my “sacrificial” rig:

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Electro Harmonix “22 Caliber” Amp head – $100 – actually sounds alright, I’m using it tonight for a small-scale gig to see how much abuse it’ll take.  They also make a 44-watt version.  If it can’t hang, I’ll use:

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1974 Traynor BassMaster head – $200.  It’s a Canadian-made Plexi Marshall clone, basically. Sounds awesome if you trick it out with some Telefunken preamp tubes & Mullard EL34’s, but that would defeat the “sacrificial” nature of the amp;  I switch out the tubes with Sovteks for gigs & leave the good ones in for recording.  Think “Machine Gun”.

Late 60’s (CBS) Fender 2×12 loaded with Eminence 12’s from junk shop – $100. The cab was wired all out of phase and poorly, the guy thought it was a piece of crap. I reversed one of the speaker connections & soldered it properly and now it sounds killer.

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Washburn Overdrive – $30 (sounds as good as a TS9, IMHO). Squishy.

And, the pièce de résistance:

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An SX PRS-style knockoff, delivered to my door for less than $200 from rondomusic.com.

Maple top/mahogany back, rosedwood neck etc. I clamped down the trem, set it up & polished the frets, changed the tuners & voilá! Serviceable & sounds fine – the pickups are medium-output & not too middy for clean strummy stuff, but thick enough for blues.

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There are a lot of ways to inspire yourself to play cooler stuff, and exploring top-quality gear and attention to tone are definitely two of them.  Ultimately though, your tone comes from  your mind, hands & heart and a dash of technique. I use Instruments for safe situations, and Tools for gigs where “tone” is essentially taking a back seat to convenience.  And damn, I think my shit still sounds pretty alright.  If you keep your eyes open you never know what you’ll find.

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UPDATE:

The 22 Caliber pulled its weight – i ran it thru an old Boogie chassis and it was pretty loud, it broke up at the right volume ( I don’t require a crazy-clean headroomy sound, i like a little squish). Sounded about as good as a Peavey Bandit or Backstage. Definitely giggable and a great backup in case your rig  goes tits up at the wrong time.



Gone For Good is Go


god i love this town


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…Check cashing, ya-ka-mein (??), BoostMobile phones, oyster, crawfish. po-boys, breakfast, beer… New Orleanians have elevated “full service” to a whole other plane.

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MVP

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Metry.